Culture

Crowd under blue lasers at a DopeSouls underground show

Culture · Rent · Design · Run

Throwing something? Let’s make it unforgettable.

Gear, stage design, and live operation for the underground — raves, warehouses, club nights, desert campouts. Rent the kit and run it yourself, or have me design the whole stage and run video, lights, lasers, and sound while you host.

This is the part of the work that doesn’t fit in a spec sheet. You want to know what the room is going to feel like at 2am with the beams up and the bass in your chest. Fair. So before anything else — here’s the vibe.

See the vibe

Photos and video of builds I’ve designed, lit, and run. This is the proof — what your night could look like once the truss is up, the projectors are mapped, and the lasers find the smoke.

Crowd under lasers with mapped stage props
DopeSouls — lasers, props, packed floor
Projection-mapped star-shaped DJ booth in a warehouse
Sequence Sound System — mapped booth + stacks
Desert campout shade structure and art car at night
Desert campout — shade, screen, art car
Projection-mapped A-frame sculpture in neon
Projection mapping — the A-frame, lit up
Red-lit ornate venue with mushroom stage props
Masonic Temple — room dropped into the red
Truss and barricade during a stage load-in
Load-in — truss, barricade, the build
Blue-lit video DJ booth with LED wall
Rent the kit — video DJ booth + wall
Mirror-mapped projection wall in teal and magenta
Mapped — mirror wall, teal & magenta
Sky SLC stage with projection mapping and a crowd
Sky SLC — mapped stage, crowd in

See it move

Stills only get you so far. Tap any of these to watch the room actually move — lasers on the drop, projection riding the set, the floor going off.

Das Energi — lasers in the smoke
Sky SLC — VJ set, live
Sequence Sound System — VJ + mapping
DopeSouls — the mapping, moving
Ranger — the art car at night
Revival — sunrise on the Salt Flats
Masonic Temple — the room, in motion

Rent the kit

Need the gear, not the crew? I supply and deliver the whole inventory — including the stuff nobody else stocks, like stage props built to projection-map and wind sails for desert shade. Take it and run your own show, or pair it with design and operation below.

Rental · 01

Lasers & Lighting

The crowd favorite

The effect people ask for by name. Full laser rigs plus moving and wash lighting to build the rig your room needs — beams, washes, and atmosphere that move with the set.

  • Laser projectors & rigs
  • Moving heads
  • Wash & spot fixtures
  • Hazers & foggers
  • Control & DMX
Rental · 02

Sound Systems

Felt in the chest

Full-range systems that hit hard and stay clear — low end you feel through the floor, tops that cut without tearing your ears off across a whole set.

  • Mains & subwoofers
  • Stage monitors
  • Mixing consoles
  • DJ & playback gear
  • Cabling & distro
Rental · 03

Truss & Staging

The bones of the build

The structure everything hangs from. Truss, ground support, and staging to put your rig in the air and your DJ where the crowd can see them.

  • Box & ladder truss
  • Ground support towers
  • Stage decks & risers
  • Rigging & motors
  • Seating
Rental · 04

Video & Projection

Walls of light

Projectors, screens, and LED video walls to wrap your stage in motion — sized for a club back wall or a full festival B-stage.

  • Projectors
  • Projection screens
  • LED video walls
  • Media servers
  • Switching & signal
Rental · 05

Stage Props & Shade

The stuff nobody else stocks

Custom stage props built to projection-map, plus wind-sail shade structures for desert campout raves. The pieces that turn a stage into a world.

  • Mappable stage props
  • Wind-sail shade structures
  • Set pieces & scenic
  • Atmosphere & effects
  • Custom builds on request

Design + run it

Renting the gear is one thing. Making it all sing together is another. Hand me the whole show and I’ll design the stage layout and run it live so you can host your night, not operate it.

Design · Operate

I design the stage and run it live — you host the night.

I’ll lay out the stage, spec the rig to the room, and then sit the seats that decide whether a show is competent or unforgettable: video, lights, lasers, and sound, all called together in real time.

One operator, one vision across every discipline — so the lasers land on the drop, the visuals read the set, and the system hits hard without hurting anyone. You’re free to run your event instead of babysitting a console.

After dark · production credits

Club, festival & underground

Sky SLC Element 11 · Fire Stage Utah Fire Conclave · Burning Man Sequence Sound System DopeSouls · Illuminate Underpass block parties V2 · The Great Saltair Warehouse raves
Behind the credits

Production-managed the nightclub Sky SLC — video, lasers, and lighting — and rose to PM. PM of the fire stage at Element 11, and crew on the Utah Fire Conclave at Burning Man. VJ for dozens of Sequence Sound System underground bass shows mixing props and projection mapping. Built and mapped B-stage DJ booths (DopeSouls at Illuminate), projection-mapped the underside of a freeway at block parties, and ran video for V2 events at The Great Saltair.

After dark · the rooms

Collectives, venues & systems.

DopeSouls
Sequence Sound System
Sky SLC
Das Energi
V2 Presents
The Great Saltair
Masonic Temple
Element 11
Illuminate
Revival
MASV
Live Night Entertainment

More than a stage

The best moments of a night often aren’t on the stage at all. Immersive installations turn dead corners and transit space into the part of the event people talk about — surrounding the audience instead of performing at them.

Featured · Immersive

Dreamscapes — a walk-through world from upcycled materials.

Across three editions of Dreamscapes in Utah, we helped build a Meow Wolf-style walk-through art exhibit — a maze of interactive rooms under one hard constraint: every material had to be upcycled.

The tech disappeared into the art. WiFi, cameras, and networking throughout; presence-sensing that triggered projection-mapped rooms and video the instant a guest stepped in; and microphones that turned people’s voices into visuals across 80,000 pixels in a mirrored room. Production you walk inside.

Charge & Chill

Decommodify your festival. Give people a place to exist — shaded, hydrated, connected — without the pressure to keep moving and keep spending.
Charge & Chill — WiFi / Arts / Music

The Charge & Chill experience is a shaded, vibed, connected lounge built into the network itself: creative seating, tables for the laptop work that couldn’t wait until Monday, power to charge every device, and WiFi to reconnect with the friends you lost in the crowd. Hospitality as infrastructure.

Festival hammock lounge in the trees
Charge & Chill — a place to exist, not spend

Spaces for people, not profit

The same instinct behind Charge & Chill scales up to a whole neighborhood. Most public space is built to move people through or sell them something. I’d rather design places people are allowed to simply exist in — no cover charge, no two-drink minimum, no reason you need money in your pocket to belong there.

Curated for creativity, comfort, and human connection: somewhere to sit, to make, to share, to run into a stranger and stay a while. Plazas, lots, and forgotten corners reimagined as commons — interactive, comfortable, and genuinely free to be in.

  • Maker spaces — open rooms with tools, tables, and power where anyone can build, fix, or learn something with their hands.
  • Tool libraries — borrow what you need instead of buying it, so a whole neighborhood shares one set of gear.
  • Pop-up art spaces — rotating installations and local artists given walls, light, and a crowd, no gallery gatekeeping.
  • Non-commercialized commons — existing public spaces reclaimed for people instead of vendors, with nothing demanded at the door.
  • Comfortable seating & gathering — creative seating and shade designed for lingering, working, and talking, not for turning tables.
  • Interactivity & connection — spaces curated to spark creativity and put people in the same room as each other again.
Throwing something?

Tell me the night. We’ll build the room.

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