Corporate Events · Freelance · For hire
Need a hand who’s run the rig before?
Bring me in for the hard-to-fill seat — camera director, V1, projection, show-caller. I’ve run other people’s gear at the biggest shows in the state and made the screens land on cue. Freelance, day-rate, travel-ready.
This is the résumé. If you’re a TD or a production company filling a chair, scan the positions and the gear below — you’ll find the exact thing you’re running, and you’ll know I can step into the seat without hand-holding. Sub-contract for the brands I crew for, or hire me direct.
Positions I run
The seats I’ve worked, called, and owned on real shows.
Gear & systems I’ve run
Spot your platform in the lists below and you’ve got your answer. These are organized by discipline — find the desk, server, console, or processor you’re putting me in front of.
Switchers / Video:
Media servers / Playback:
Video processing / Walls:
Projectors:
Lighting consoles:
Lasers:
Livestream / RF:
A decade on the largest events in Utah and beyond.
What the work actually looks like
The credits are names. This is the work behind them.
- Camera-directed pandemic livestreams — productions pulled into small crews with enough production value to keep a locked-down audience locked in.
- 400ft wide × 20ft tall projector blends as a single stage backdrop.
- Projection-mapped globes, thousands of feet of video wall, and miles of LED strip.
- Leagues of drape and earth-spanning cable — laid, run, labeled, and wrapped back up.
The office today
My office changes every week. Here’s what the seat looks like when the doors open.
In motion
The seat, running. Tap to watch the screens, the switch, and the room actually move.
More rooms, run and shot.
Who I crew for & work alongside.
