NBA All-Star Game arena — LED walls and stage lit blue

Corporate Events · Freelance · For hire

Need a hand who’s run the rig before?

Bring me in for the hard-to-fill seat — camera director, V1, projection, show-caller. I’ve run other people’s gear at the biggest shows in the state and made the screens land on cue. Freelance, day-rate, travel-ready.

This is the résumé. If you’re a TD or a production company filling a chair, scan the positions and the gear below — you’ll find the exact thing you’re running, and you’ll know I can step into the seat without hand-holding. Sub-contract for the brands I crew for, or hire me direct.

Positions I run

The seats I’ve worked, called, and owned on real shows. Highlighted are where I’m strongest.

Gear & systems I’ve run

Spot your platform in the lists below and you’ve got your answer. These are organized by discipline — find the desk, server, console, or processor you’re putting me in front of.

Switchers / Video:

Media servers / Playback:

Video processing / Walls:

Projectors:

Lighting consoles:

Lasers:

Livestream / RF:

Crewed on · selected credits

Camera director, projection & LED tech, V1, show-caller

doTERRA The World Games FanX NBA All-Star Game Sundance Film Festival Stadium of Fire · BYU Young Living CanAm Outdoor Retailer Utah Arts Festival Oktoberfest · Park City Deer Valley Resort Medical & pharma conferences Solar & microgrid conventions Dance competitions Hunting expos

What the work actually looks like

The credits are names. This is the work behind them.

Camera-directed pandemic livestreams — productions pulled into small crews with enough production value to keep a locked-down audience locked in.
400ft wide × 20ft tall projector blends as a single stage backdrop.
Projection-mapped globes, thousands of feet of video wall, and miles of LED strip.
Leagues of drape and earth-spanning cable — laid, run, labeled, and wrapped back up.
Four to five Stadium of Fire shows at BYU for the Fourth of July.

The office today

My office changes every week. Here’s what the seat looks like when the doors open.

FOH video control — monitors and processor panel — FOH — video control, lit by the racks

Stage flanked by LED video walls — LED walls — stage left, stage right, center

Operator at a switcher desk overlooking the field — The World Games — calling it from the desk

Band on stage with a projection-mapped backdrop — Stein Eriksen — stage + projection backdrop

Open road-case gear rack — Backstage — the rack behind the chaos

Massive arena floor set for a corporate gala — doTERRA — the room, the scale, the level

Spot operator position above a festival crowd — Country Fan Fest — on the spot, over the crowd

Line-array PA and rigging during load-in — NBA All-Star — PA & rigging, load-in

Corporate gala with a multi-panel LED video wall and chandelier — The gala — multi-panel video wall, full house

In motion

The seat, running. Tap to watch the screens, the switch, and the room actually move.

Sundance — the video wall

doTERRA — the room in motion

Snowbird — VJ on the video wall

Camera director — calling it live

Ibiza UltraLounge — club visuals

JCC — fundraiser production

References & a note on the lists

Freelance and sub-contract for Webb, Cornerstone, Encore, Highpoint Media, and Lost Coast Productions — they’re who I crew for and who can speak to the work. The positions and gear lists above are starters; tell me the show and I’ll tailor the résumé to the exact desks, consoles, and seats you’re staffing.

Crews & companies

Who I crew for & work alongside.

For hire · day-rate · travel-ready

Tell me the show. I’ll run the seat.

Check availability After-dark work →