Live event production is the foundation of the practice. Bookable as crew when a show needs an operator who has actually run the gear — not a body holding a clipboard hoping things go right.

Disciplines

Bookable across three disciplines — video, audio, and lasers. Whichever chair the show actually needs.

Video

• V1 — Video Engineer — camera shading, switcher operation, video routing, multi-cam IMAG, broadcast feeds, record. Clean show pictures from doors to load-out.
• V2 — Video Tech — patch, signal flow, scaling, redundancy paths. The chair that keeps V1 on a clean board.
• Video Wall Tech — wall mapping, processor configuration, LED panel calibration. Comfortable on Novastar, Brompton, Colorlight, and the rest of the usual suspects.
• Graphics Op — playback, lower thirds, content cueing on ProPresenter, vMix, Resolume, or whatever is on the show file.
• Projectionist — projector alignment, blends, edge masking, mapping. Single-rig or multi-projector blended canvases.
• VJ — Visual Jockey — live visuals for concerts, club nights, immersive shows, and festivals. Resolume Arena is the daily driver.

Audio

• A1 — Audio Lead — FOH mixing, system tuning, mic plotting, comms. Equally at home on Allen & Heath, Yamaha, Midas, and DiGiCo — whatever is on the truck.

Lasers

• LSO — Laser Safety Officer — laser system operation, programming, and on-show safety. Audience-scanning shows, aerial-only rigs, FDA variance work, and on-site coordination with the venue.

Where production happens

• Concerts and festivals — main stages and side stages
• Corporate events, conferences, conventions
• Club nights, one-offs, immersive events
• Broadcast and streaming productions
• Sports broadcast positions and arena work
• Theater and live performance

Availability

Wasatch Front and travel work. Festival season fills up early — calendar holds open through the spring for booked shows.